The Architecture of the Legend of Zelda
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Thanks to a Tea-brick

2/21/2021

1 Comment

 
“There is something in the nature of tea that leads us into a world of quiet contemplation of life.”
​
​– Lin Yutang, The Importance of Living [Author's note: please consider reading this book.]
Picture
Well, it finally happened. The 1999 tea-brick finally yielded a pot of tea. I thought it'd never be touched. My roommate had it sitting on the shelf for years. Years. I tell you this not because it was an incredible cup of tea (although it was, and if you're familiar with pu'er, you'll know that it tasted like a deep pile of semi-wet hay in an untouched barn, in the best sense possible), but because it finally got me thinking about Zelda architecture again; things had been in a dry-spell since I began to apply to grad school last year, worrying about this, that, and the other thing. But now that I'm just waiting on responses (with only the "normal" exigencies of life), the tea breathed life anew into me, just as the water breathed life into it after so long a time. Wonderful the serendipity, the parallelism, no? Teakind, humankind; so the leaf, so the man. Thus, an article on the Rito is in the writing. I have gathered and collected what I could find, and now I shall begin the lovely process of word-putting. 

On another note, if you haven't already, please, under the "Recommended Readings" section of this website, check out the stories written by my friend 
Steffen Schmidt. I was reading and editing an alpha-version of a story he's currently working on today (concerning Zelda, of course), and it was so beautiful as to knock my proverbial socks off. I cannot highly enough recommend you to it. And I know it would mean the world to him.

Fat snowflakes fall outside, but the inner world is warm. I hope you're all doing well.


- T

1 Comment
    The universe of The Legend of Zelda is replete with multifarious architectural oddities, beautiful and resonating structures, and ineffably-mysterious temples hidden in the remote corners of the world. It is my hope to explore said places, shedding light upon some of their salient features, and fulfilling the goals laid out by the introduction, the main goal of which is to help people understand and appreciate the unspoken, yet deeply-felt, allure of these locations and structures.

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